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The tension between the collective and the individual is one of the main topics researched in Osamu Yokonami’s work.

The collective identity that Osamu explores in his work Assembly, which, among others, includes Kumo, Mizugi, and Snow, comes to propose a different perspective on group dynamics. The challenge to the viewer’s emotions and thoughts surfaces with Osamu’s decision to work with groups, creating the form the group shapes, structuring the distance between each person and the group from the artist.

In Kumo and Mizugi, we watch the girls from the back.

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The anonymity of the characters put into question the power of the individual, replacing it with the power of the group. The uneasiness that comes from the decisiveness to interpret the frame is juxtaposed the calmness of the moment, of the characters, and nature.

Osamu Yokonami is a Japanese photographer born in Maizuru City, Kyoto Prefecture, in 1967.

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